The Director of Music Department

Chapter 1360: .Chinese New Year

The money-making ability of Ari Media has played a certain role. At least, for now, Ari Media really has no shortage of projects or people.

This year, Ari Media has opened more than 20 projects, but most of them are directors hired by Ari Media from other companies at a high price.

The inside is naturally uneven, but it is always impossible to have such bad luck. Everyone is parallel imports.

This is also the current grand strategy of Ari Media.

Rely on quantity to win. If one is not enough, ten will be recruited. If the general is short, there will always be a top-notch one.

And Yang Qing is undoubtedly one of the most favored by Ari Media at the moment.

The cast of "Glory of the Tang Dynasty" is not low. The key is that this year's Spring Festival file, there is really nothing that can be counted as a major production of the head film.

Therefore, on the contrary, it made Yang Qing's "Glory of the Tang Dynasty" of Ari Media extremely conspicuous.

The major domestic directors are busy with co-productions, but the Spring Festival stalls are empty.

There are no tigers in the mountains, and naturally the monkeys are the king.

Of course, Ari Media also wants to train its own direct directors, which is much lower than the cost of digging people.

In Time Light and Shadow, "People on the Road" are actually not too high. After all, this is a small-cost comedy movie.

And it's the first film in the series, and it can't be too demanding.

Fu Rong is under great pressure, even though he said that the box office expectations of "People on the Road" are not particularly high, but you must know that this is the key to determining whether Fu Rong can truly become a great director in the future. war!

Therefore, Fu Rong has always been extremely nervous.

On the one hand, it is also because the current market, purely comedy movies, is indeed not so prosperous.

It's not that they can't sell at the box office, but generally speaking, comedy movies have long been reduced to second-rate movies and are no longer the main box office in the market.

In fact, even Wang Yifan did not have much hope for the box office of "People on the Road".

Because, in the previous life, "People on the Road" did not say a big explosion, it can only be regarded as a small explosion.

What really happened was the second part.

When the previous life "People on the Road" was released, the film market in China did not explode, so it did not have much reference value.

Therefore, it is hard to say how much box office potential "People on the Road" can have in this world.

However, in any case, this film is the first project after the cooperation between Huaxin and Times Light and Shadow. Of course, Wang Yifan hopes to have a good start.

After all, in the future, Time Light and Shadow will be regarded as his own!

In fact, although there are no high expectations for the movie "People on the Road", it is only relatively speaking.

For the light and shadow of the times, for Dai Xinyue, the most important thing is "Detective Chinatown", because no matter how you look at it, "Detective Chinatown" is more attractive than "People on the Road", but this movie, Dai Xin Yue also attached great importance to it, otherwise he would not specifically invite Wang Yifan to come back and sit down.

After all, Fu Rong's words, please don't move Wang Yifan!

When Wang Yifan came back, it was not just a formality, he also had the meaning of propaganda!

After all, according to Dai Xinyue's words, "Human Journey", including Fu Rong, is actually not big enough and has limited attention.

But Wang Yifan is different!

In fact, what Dai Xinyue said is really the truth. At this time, Wang Yifan is very reminiscent of the time when "Wolf Warrior" was released. Wang Yifan can say that although he did not participate in the specific production of "Wolf Warrior", but What he said directly made "Wolf Warriors" as hot as a raging fire.

It is hard to say that "Wolf Warrior" has set a record for the box office of Chinese movies. Wang Yifan's remarks at the beginning have played a role as much, but there is definitely a role.

Of course, whether it is Dai Xinyue or Fu Rong, it is impossible to expect "Man on the Road" to reach the standard of "Wolf Warrior".

But at least, the publicity and effect that Wang Yifan can play is absolutely top-notch.

However, this time, Wang Yifan could not be blocked at the airport or something like before.

This time he came back quietly.

There were also well-informed reporters blocking the gate of the airport, but this time Wang Yifan left directly from the special passage.

Let them all block up the space.

In fact, most of the time, when fans pick up the plane, if the real celebrities don't want to be blocked, they won't be blocked at all, because the airport also has special passages.

Those who are blocked and then make big news, first of all, the high probability is that they themselves want to be exposed, otherwise, they will rarely really be unable to avoid it.

Okay, get back to business.

On the side of Time Light and Shadow, a movie watching of "People on the Road" was held.

Normally, if it's a movie by a big director like Chen Hang or Wang Yifan, most of the time, it doesn't matter if there is a movie conference.

Because they themselves are synonymous with movie hits.

Especially Wang Yifan, in fact, in many cases, his movies, although there are filming sessions, but in fact, it is just a cutscene.

Because, representatives of other theaters, including the theaters of several giants, will give a tilt in the lineup, because this is the embodiment of his strength and celebrity position.

But for movies like Fu Rong's "People on the Road", the movie conference is actually quite important.

After all, the directors, actors, casts, etc. of "People on the Road" can only be regarded as ordinary.

Moreover, it is to compete for the Spring Festival file. Although comedy has a bonus during this period, if you want to get a higher schedule, you still need to persuade the representatives of these theater operators.

Chinese theaters are different from foreign theaters.

In foreign countries, in fact, although several giants have also invested in some theaters, most theaters are still independent industries.

But they have to look at the faces of several giants.

The cinema industry is asset-heavy and its profitability is limited. Therefore, in the United States, it can be said to be a sunset industry.

But in China, even if several giants are involved in theaters, the market in China is too big.

It seems that the major private film and television giants all have their own theater chains, which are still in the top ten, but in fact, it is difficult to talk about monopoly.

Because many of the domestic cinema chains are state-owned enterprises, and the largest cinema chain is still under the umbrella of the film and television group headed by the Chinese name Huaying Group.

Therefore, in this regard, the private film and television giants have their own theater chains, and more of them exist as backgrounds, because, in this case, at least when the film is arranged, others must follow the rules, otherwise, they can also have their own theaters. Countermeasures.

This is also the reason why the domestic box office share of movies has remained the same after so many years.

The strength of the cinema chain lies here. Of course, for the cinema chain, if you can always provide high-quality content like Huaxin, then they are naturally very welcome and will also be inclined in the film arrangement.

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