The Director of Music Department

"On his way back to his hometown, Li Chenggong met with a "senior" milker who was going to collect debts at the airport.

First, the bull terrier and crow mouth said that they wanted to get off the plane, but the plane was grounded and they could only temporarily switch to the train...

A tease of fate, Niu Geng and Li Chenggong met unexpectedly all the way. During the journey, the two of them kept embarrassing, and they also encountered all kinds of people and all kinds of strange and funny things, which made Li Chenggong embarrassed and his noble image disappeared. Niu Geng is not optimistic and positive. In order to be able to go home, the two traveled together. They changed various modes of transportation and rushed back home. Airplanes, trains, buses, ferries, trucks, and even tractors...

However, the two still spent their New Year's Eve in the wilderness. Looking back on the hardships and encounters with them on the way, they have a great touch in their lives...

In the end, after the two went from being hostile to becoming friends, Niu Geng's sincerity also changed Li Chenggong's indifferent character and evoked Li Chenggong's return to true feelings.

When the tired Li Chenggong returned home, he unexpectedly arrived one step earlier than him. He even saw Li Chenggong’s wife. Li Chenggong was embarrassed. When Li Chenggong returned home, he saw the unripped calendar stuck on the wall. After seeing his happy wife, daughter and old man, Li Chenggong also understood what choice he should make. When the firecrackers sounded, Li Chenggong and his wife embraced affectionately..."

Wang Yifan recounted the context of the story of "People on the Journey".

To be honest, the success of "People on the Road" does have a lot to do with the original Wang Baoqiang.

how to say?

He has the trait of being grounded.

If Li Chenggong can be replaced, it's not because Xu's head can't be changed, then the role of Niu Jie is not as good as Wang Baoqiang's replacement!

Because he can almost be regarded as a true performance.

At the same time, it won't make people play!

It's just that Fu Rong and Dai Xinyue both frowned slightly.

It's not that Wang Yifan's idea is not good enough.

In fact, well, it’s the feeling that this idea gives them, some...not enough surprises!

Wang Yifan didn't care.

In fact, there is really nothing special about the film creativity of the road film mode of "People on the Road".

This is why Wang Yifan feels that this movie needs to find the right actors to be considered a good story.

Because, to put it bluntly, the box office ceiling of a road movie like "People on a Journey" is actually not too high.

But not necessarily, because this movie is definitely grounded enough to talk about grounding.

At least, although there are similar road movies in China, they are not mainly comedies.

However, even if they are not satisfied, either Fu Rong or Dai Xinyue will not bring it up at this time.

The name of the person is the shadow of the tree, and the reputation of Wang Yifan is outside. The originality of this story sounds like ordinary, but Wang Yifan's methods of turning stones into gold are well known.

In fact, to put it plainly, is the plot of "Titanic" very creative?

Of course not, the key is that after the film is shot, the classic is the classic.

"Guide Fu, if you are asked to film this story, what do you think is the highlight of this story?" Wang Yifan is also watching the changes in the expressions of the two, but he doesn't care.

To put it bluntly, his script, even if it is a bad script, is something people want.

What's more, in fact, "People on the Road" is just the beginning of the series in Wang Yifan's plan.

And now, unlike the past, the market is already huge.

The box office of the previous life "People on the Road" is not bad, but it is only relatively speaking.

But that was because at that time, Xu Guangtou and Wang Baoqiang were not really too famous stars in this movie.

The publicity is also far from satisfactory.

But now it's different. In this world, Wang Yifan's reputation can easily make this movie's box office a bottom of more than 100 million.

Coupled with the powerful announcement and the right schedule, Wang Yifan is confident that this movie may not be a real big hit, but it will be no problem to get several hundred million at the box office.

He still has confidence in this.

And what he said is only the general story of the movie, and as we all know, comedy movies, plot outlines, etc., have never been the essence.

The real essence is in the details.

"The highlight of the story?" Fu Rong muttered for a moment and said.

"First of all, this story is very grounded, and the Spring Festival travel season is almost a unique phenomenon in our country."

"So this movie is very suitable for the Spring Festival!"

"First of all, there is a big contrast between the two protagonists' identities. Li Chenggong is the boss of a toy company and can be said to represent the wealthy class, while Niujie is a migrant worker, representing the simple lower class.

And the story of Director Wang, whether it is rich or poor, no matter what class people are in, if they are placed in a common environment, then they will show completely different things.

I think Wang Dao meant that through the common experience of two people with the same identities on the road, but because of the different living environments, they have different attitudes towards the various tragic encounters on the way. When faced with this kind of difficulty, the people at the bottom should show an optimistic and persistent response, because this kind of predicament is nothing compared to the difficulties he has encountered before!

For a successful person like Li Chenggong, he may fall into an extremely unaccustomed situation, and will experience negative complaints and impatient emotions. For this reason, the two will form a sharp contrast, and it also highlights that different attitudes will also be different. , And negative anger will not help in solving the dilemma! "

"For example, taking a car, for Niu Terrier, if it is very crowded, he will feel very normal, but for Li Chenggong, who usually enters in a private car, he will be very uncomfortable... ..."

"And Li Chenggong's identity also represents a businessman, and people like them have experienced too much intrigue, so people like them usually show a kind of vigilance towards anyone, distrusting strangers, and then He is also wandering on the edge of morality. The conscience that is not completely obliterated is torturing his heart. Not only is he tempted by various names in the real world, but he cannot completely ignore the original feelings and conscience deep in his heart... "

The more Fu Rong analyzed it, he didn't realize it himself, and the more he felt, the more interesting this story became.

Wang Yifan also nodded repeatedly. If Fu Rong really continued to show a negative attitude, then Wang Yifan would definitely not give him this script.

But Fu Rong is obviously a thoughtful director. With his own in-depth interpretation, Wang Yifan's short story outline allows Fu Rong to extend a lot of things.