The Director of Music Department

Nai Fei's second big data self-produced drama is a fantasy epic drama.

"Magic Iron Throne"!

In fact, Nai Fei’s second big data self-produced drama is also expected by many viewers in North America.

Because Nai Fei's self-produced dramas are all violent.

That is to release all at once, you can see it all at once.

And Nai Fei's first big data self-produced drama can be said to have become a phenomenal drama in North America.

Therefore, the audience will naturally have high expectations for this new Nai Fei drama!

As the initiator and practitioner of big data movie strategy, Nai Fei's every move has focused the attention of countless people.

This time, the preliminary preparations for "Magic Iron Throne", the selection of actors, etc., are all dominated by big data.

Nai Fei is also very confident in this drama!

Then, "The Fel Iron Throne" was officially launched!

As a result, it burst!

Yes, it burst!

The word of mouth has exploded, and the ratings have exploded.

It succeeded.

It can be said that companies that bet on big data movie strategies are all cheered!

In the domestic aspect, Ari Media and Future Star Media are in the limelight.

On the contrary, it is the light and shadow of the times, but the old giants like Kyushu in the Tang Dynasty are sad.

To be honest, Wang Yifan was also a little surprised. The so-called big data-led self-produced drama of Nai Fei in his previous life was actually the first one that was really successful.

The second part and the third part later failed, and as much as the expectations in the front were, there were disappointments in the back.

As a result, the big data movie strategy immediately cooled down.

But this world is different. Naifei's second big data-led self-produced drama was a success, and it was an unprecedented success.

Then naturally, the pattern is completely different.

Regardless of whether big data is reliable or not, but at least at this stage, the big data strategy is reliable, and it is the outlet!

As the saying goes, pigs can fly when standing on the vent.

Before Lin Husheng was persuaded by Wang Yifan, he temporarily stopped betting on the big data movie strategy, but with the success of Nai Fei's "Magic Iron Throne".

As the big data movie strategy became popular in the capital market again, he couldn't sit still again.

No way, this is not a question of two movies, but a question of the direction of the future film and television industry.

Not only Lin Husheng, but other companies are just as ready to move.

Soon several medium-sized film and television companies announced that they will cooperate with Ari, ECCOM, Future, and Star Technology to create big data movies!

In fact, whether or not big data can succeed will have a great impact on the giants, as well as other film and television companies.

It can even be said that this is a good thing for them.

So they all ran out wanting to take a ride.

Ari Media, Future Star Media, and ECCOM are all willing to come. After all, although this is a trend, it still needs a lot of successful cases to truly maximize the benefits and make big data movies rooted in the hearts of the people.

On the other hand, as far as small companies are concerned, they can't afford to hire big directors.

But the big data movie strategy, what impresses them the most is that this model, in fact, can reduce costs.

Let the advantages of the giants no longer be so strong.

Of course, if giants also enter the ranks of big data strategies, then there is another possibility.

To put it bluntly, the advantage of the giants is indeed the theater chain and the distribution channel.

But don't forget that the largest theater chains in China are state-owned enterprises.

Therefore, in many cases, there is actually no monopoly.

The reason why a giant is a giant is because the giants have signed major directors.

The income of a big director of a movie can be worth many small companies for several years.

The big directors have always been the guarantee of the box office of movies. The theaters are to make money, and of course they are more inclined to the big directors' movies.

But now, big directors are replaced by big data, and ECCOM, Miraestar, Ari, etc., all open up the big data movie strategy port to the outside world.

Therefore, this is a very good opportunity for those small companies!

After all, once it succeeds, the pattern of the entire film and television industry may undergo tremendous changes as a result!

When the big directors no longer cover the sky with one hand, and when the giants begin to lose their advantages, then their opportunity will come.

But Lin Husheng also knows that Wang Yifan has always opposed betting on big data movie strategies.

Therefore, if Huaxin wants to bet on a big data movie strategy, it must also obtain Wang Yifan's consent.

Even though big data seems to be very good now, and can even replace big directors, big directors are still the mainstream of this era.

"ECCOM has already bet on big data movies, and now the success of Nai Fei's "Magic Iron Throne" still makes the big data movie strategy completely popular. So, do you still think the big data movie strategy is not reliable? ?" Lin Husheng asked.

Wang Yifan smiled and said, "Of course! Do you really think that the success of "The Iron Throne" is because of big data?"

"Isn't it? Big data dominates the data released by Naifei and the launch of "The Magic Iron Throne"." Lin Husheng disapproved.

Wang Yifan nodded and said: "Actually, I have never denied the feasibility of big data, but big data dominates film and television creation, I still reserve my opinion."

"The script of "The Iron Throne" may indeed have elements of big data, but in fact "The Iron Throne" is an adaptation of the work, and the original work of "The Iron Throne" is on the North American bestseller list. In the ranks of the top ten all the year round, this work itself is a huge IP. This is the core reason why this show can be successful!"

"Yes, big data did choose the work "The Iron Throne", but it confuses everyone's vision and makes everyone ignore it. The work "The Iron Throne" itself has many book fans, many fans! This It's not the big data!" Wang Yifan also investigated the situation in "The Devil's Throne".

It turns out that Nai Fei’s so-called big data movie strategy is actually a cover-up.

They are all trying to avoid the most important ones. In fact, is the success of the first political drama really due to the dominance of big data?

In fact, it is completely nonsense.

The play itself was adapted from a well-known novel.

And although the screenwriter team is a tool-man team, what is overlooked by many people is that the chief screenwriter is a Hollywood gold medal screenwriter.

In terms of production, the team is also a top team.

Dominated by big data?

Don't be nonsense, big data does play a role, but it is based on the quality of the drama itself.

Just like the success of "Kung Fu", can you say that it is dominated by big data?

of course not.

The same goes for "The Fel Iron Throne".

"Let's talk about the main lineup of "Magic Iron Throne". The first two episodes are Hollywood director Carlos, and the latter directors are also more experienced and mature directors in Hollywood film and television dramas."

"Can big data really affect the director's shooting? Obviously impossible!"